The Routledge Companion to Comics

That's the Joint!

The Hip-hop Studies Reader

Murray Forman, Mark Anthony Neal

Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.

An Introduction to Book History

David Finkelstein, Alistair McCleery

An Introduction to Book Historyprovides a comprehensive critical introduction to the development of the book and print culture. David Finkelstein and Alistair McCleery chart the move from the spoken word to written texts, the coming of print, the book as commodity, the power and profile of readers, and the future of the book in the electronic age. Each section begins with a summary of the chapter's aims and contents, followed by a detailed discussion of the relevant issues, concluding with a summary of the chapter. Sections include: § The History of the Book § Orality to Literacy § Literacy to Printing § Authors, authorship and authority § Printers, Booksellers, Publishers, and Agents § Readers and reading § The Future of the Book An Introduction to Book Historywill be an ideal guide to this exciting field of study, and is designed as a companion text toThe Book History Reader.

Men Who Hate Women

From Incels to Pickup Artists: The Truth about Extreme Misogyny and How it Affects Us All

Laura Bates

The first comprehensive undercover look at the terrorist movement no one is talking about. Men Who Hate Women examines the rise of secretive extremist communities who despise women and traces the roots of misogyny across a complex spider web of groups. It includes eye-opening interviews with former members of these communities, the academics studying this movement, and the men fighting back. Women's rights activist Laura Bates wrote this book as someone who has been the target of many hate-fueled misogynistic attacks online. At first, the vitriol seemed to be the work of a small handful of individual men... but over time, the volume and consistency of the attacks hinted at something bigger and more ominous. As Bates went undercover into the corners of the internet, she found an unseen, organized movement of thousands of anonymous men wishing violence (and worse) upon women. In the book, Bates explores: Extreme communities like incels, pick-up artists, MGTOW, Men's Rights Activists and more The hateful, toxic rhetoric used by these groups How this movement connects to other extremist movements like white supremacy How young boys are targeted and slowly drawn in Where this ideology shows up in our everyday lives in mainstream media, our playgrounds, and our government By turns fascinating and horrifying, Men Who Hate Women is a broad, unflinching account of the deep current of loathing toward women and anti-feminism that underpins our society and is a must-read for parents, educators, and anyone who believes in equality for women. Praise for Men Who Hate Women: "Laura Bates is showing us the path to both intimate and global survival."—Gloria Steinem "Well-researched and meticulously documented, Bates's book on the power and danger of masculinity should be required reading for us all."—Library Journal "Men Who Hate Women has the power to spark social change."—Sunday Times

Drift and Mastery

An Attempt to Diagnose the Current Unrest

Walter Lippmann

Drift and Mastery, originally published in 1914, is one of the most important and influential documents of the Progressive Movement, a valuable text for understanding the political thought of early twentieth-century America. This paperback edition of Walter Lippmann's classic work includes a revised introduction by William E. Leuchtenburg that places the book in its historical and political contexts. In his first book, A Preface to Politics, Lippmann was sharply critical of traditionalism in favor of creativity—so much so that he was accused of anti-intellectualism. In Drift and Mastery, he corrected this imbalance, exploring the tensions between expansion and consolidation, traditionalism an progressivism, emotion and rationality. He wrote to convince readers that they could balance these tensions: they could be organized, efficient, and functional without sacrificing impulse, choice, fantasy, or liberty. Mastery is attainable, Lippmann argued, but scientific endeavor is driven by human curiosity and creativity—an argument in favor of science as both a method as both a method for discovering the truth and a means of wish fulfillment through diligent attention to facts. Drift and Mastery is both a telling product of its times and a lucid exploration of timeless themes in American government and politics. It will continue to serve new generations of scholars and students in American intellectual history, mass communications, and political science.

Propaganda

Edward L. Bernays

With politics taking centre stage due to the US presidential election, the time is perfect for a reprint of this classic work from Edward Bernays, the father of public relations and political spin and the man who designed the ad campaign that got the United States involved in World War I. Written in 1928, this was the first book to discuss the manipulation of the masses and democracy by government spin and propaganda.

Iran Since the Revolution

Sepehr Zabih

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The Social Genres of Comics

Impact and Innovation of Comics in Social Sciences

Veronica Moretti, Francesco Della Puppa

This book analyzes social research and genres of comics from cross-cultural perspectives. It disentangles the impact of comics in understanding social, cultural and political issues and considers the challenges they may raise from an ethical point of view. In nine case studies focused on topics such as migration, science and technology innovation, urban sociology and criminology, the book aims to answer the following questions: How can the comic medium help understand research’s narratives? To what extent can comics can be incorporated within traditional social research steps? What body of knowledge is being created by research-based comics? How can they represent social class without eliminating it or reproducing its stereotypes and how they deconstruct, without removing the “color line” the cultural difference or the naturalization of gender corporality? What are the barriers (theoretical and methodological) that researchers might encounter using comics to communicate sensitive topics? What are the main ethical considerations researchers must consider? While, at first glance, comics-based research seems to be tied mostly to Sociology, Anthropology and Geography, it also is relevant to a host of other disciplines including cultural studies, feminist studies, environmental studies, disability studies, science and technology studies, critical race studies, queer studies and animal studies. This book will also facilitate international and interdisciplinary collaboration among researchers with an interest in exploring the utility and limitations of the graphic medium.

Latinx Comics Studies

Critical and Creative Crossings

Fernanda Díaz-Basteris, Maite Urcaregui

Latinx Comics Studies: Critical and Creative Crossings offers an intersectional and interdisciplinary approach to analyzing Latinx studies and comics studies. The book draws together groundbreaking critical essays, practical pedagogical reflections, and original and republished short comics. The works in this collection discuss the construction of national identity and memory, undocumented narratives, Indigenous and Afro-Latinx experiences, multiracial and multilingual identities, transnational and diasporic connections, natural disasters and unnatural colonial violence, feminist and queer interventions, Latinx futurities, and more. Together, the critical and creative works in this collection begin to map out the emerging and evolving field of Latinx comics studies and to envision what might be possible in and through Latinx comics. This collection moves beyond simply cataloguing and celebrating Latinx representation within comics. It examines how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx” and portray the diverse lived experiences therein.

Research Handbook on Contract Design

Corrales Compagnucci, Marcelo, Haapio, Helena, Fenwick, Mark

Weaving together theoretical, historical, and legal approaches, this book offers a fresh perspective on the modern revival of the concept of allegiance, identifying and contextualising its evolving association with theories of citizenship.

Identity and History in Non-Anglophone Comics

Harriet E.H. Earle, Martin Lund

This book explores the historical and cultural significance of comics in languages other than English, examining the geographic and linguistic spheres which these comics inhabit and their contributions to comic studies and academia. The volume brings together texts across a wide range of genres, styles, and geographic locations, including the Netherlands, Colombia, Greece, Mexico, Poland, Finland, Portugal, Ireland, and the Czech Republic, among others. These works have remained out of reach for speakers of languages other than the original and do not receive the scholarly attention they deserve due to their lack of English translations. This book highlights the richness and diversity these works add to the corpus of comic art and comic studies that Anglophone comics scholars can access to broaden the collective perspective of the field and forge links across regions, genres, and comic traditions. Part of the Global Perspectives in Comics Studies series, this volume spans continents and languages. It will be of interest to researchers and students of comics studies, literature, cultural studies, popular culture, art and design, illustration, history, film studies, and sociology.

Adventure Comics and Youth Cultures in India

Raminder Kaur, Saif Eqbal

This pioneering book presents a history and ethnography of adventure comic books for young people in India with a particular focus on vernacular superheroism. It chronicles popular and youth culture in the subcontinent from the mid-twentieth century to the contemporary era dominated by creative audio-video-digital outlets. The authors highlight early precedents in adventures set by the avuncular detective Chacha Chaudhary with his ‘faster than a computer brain’, the forays of the film veteran Amitabh Bachchan’s superheroic alter ego called Supremo, the Protectors of Earth and Mankind (P.O.E.M.), along with the exploits of key comic book characters, such as Nagraj, Super Commando Dhruv, Parmanu, Doga, Shakti and Chandika. The book considers how pulp literature, western comics, television programmes, technological developments and major space ventures sparked a thirst for extraterrestrial action and how these laid the grounds for vernacular ventures in the Indian superhero comics genre. It contains descriptions, textual and contextual analyses, excerpts of interviews with comic book creators, producers, retailers and distributers, together with the views, dreams and fantasies of young readers of adventure comics. These narratives touch upon special powers, super-intelligence, phenomenal technologies, justice, vengeance, geopolitics, romance, sex and the amazing potentials of masked identities enabled by navigation of the internet. With its lucid style and rich illustrations, this book will be essential reading for scholars and researchers of popular and visual cultures, comics studies, literature, media and cultural studies, social anthropology and sociology, and South Asian studies.

Playfulness in Comics

Kieron Brown

Drawing on theories from comics studies and game studies, this monograph offers the first extended theory of playfulness in comics and comics-like works. To account for forms of playfulness in these mediated or designed contexts, the book opposes the prevailing characterization of playfulness in game studies as an "autotelic" attitude marked by spontaneity, voluntariness, and intrinsic motivation, instead approaching playfulness as a primarily "appropriative" attitude that manifests when individuals "reframe" situations to serve their own ludic ends. Hence, the book presents three interconnected "lenses" that invite consideration of where, when, how, and for whom playfulness may be involved, enabling a focus on three dimensions of playfulness as it manifests in comics contexts: producer-oriented, work-oriented, and recipient-oriented playfulness. The book consists of three theoretical chapters that outline and discuss the lenses and three case study chapters that demonstrate their theoretical and analytical value via the extensive analysis of one or more works related to the corresponding dimensions of playfulness.