Comics Underground Japan

Too Critical to Fail

How Canada Manages Threats to Critical Infrastructure

Kevin Quigley, Ben Bisset, Bryan Mills

How markets, media, and private interests shape government responses to natural disasters, pandemics, industrial failures, cyber-attacks, and terrorist threats.

SHINING IN THE DARK

Zum zwanzigjährigen Jubiläum von »Lilja's Library - The World of Stephen King«

Stephen King, Jack Ketchum, P. D. Cacek, Stewart O'Nan, Bev Vincent, Clive Barker, Brian Keene, Richard Chizmar, Kevin Quigley, Ramsey Campbell, Edgar Allan Poe, Brian James Freeman, John Ajvide Lindqvist

Der Gründer der #1 Stephen-King-News-Website Lilja's Library präsentiert eine schaurig-schöne Anthologie von Horrorgeschichten – darunter eine seltene Erzählung von Stephen King selbst, Klassiker von Clive Barker und Edgar Allan Poe sowie eine Novelle von John Ajvide Lindqvist ( Let the Right One In). Anlässlich des zwanzigjährigen Jubiläums der umfangreichen Stephen-King-Fanseite »Lilja's Library - The World of Stephen King« ist diese Anthologie die perfekte Lektüre für Horrorfans aller Couleur. Shining in the Dark umfasst Kurzgeschichten von einigen der bekanntesten und talentiertesten Autoren des Genres und enthält eine furchterregende Geschichte, die bisher in keiner anderen Sammlung von Stephen King enthalten war. Zu den Geschichten gehören: »Der blaue Kompressor« von Stephen King »Internet« von Jack Ketchum und P. D. Cacek »Der Roman des Holocaust« von Stewart O'Nan »Aeliana« von Bev Vincent »Pidgin und Theresa« von Clive Barker »Das Ende aller Dinge« von Brian Keene »Totentanz« von Richard Chizmar »Die Verlockung der Flamme« von Kevin Quigley »Der Gefährte« von Ramsey Campbell »Das verräterische Herz« von Edgar Allan Poe »Mutterliebe« von Brian James Freeman »Das Handbuch des Hüters« von John Ajvide Lindqvist

New England Tiki

Kevin Quigley

New Englanders are as far away from the South Pacific as any American can be, yet when tiki fever gripped the country in the mid-twentieth century, even they were not immune. Tropical-themed restaurants and bars sprang up in the unlikeliest of places, from coastal cities to far-flung suburbs. Places like the Hu Ke Lau, the Aku-Aku and the Kowloon were packed every night. Decades after the fever ended, it re-emerged as a new century dawned, and New Englanders took up the mantles of Polynesian pop to escape to places of tropical leisure in their own backyard. Local author Kevin Quigley dives deep into the region's unusual history with tiki culture.

For Democracy's Sake

Foundations and Democracy Assistance in Central Europe

Kevin F. F. Quigley

This pathbreaking study examines foundations' democracy assistance programs in Central Europe in the years immediately following the fall of the Berlin Wall, both measuring their size and evaluating their strategies.

Halloween Carnival Volume 5

Richard Chizmar, Lisa Tuttle, Norman Prentiss, Kevin Quigley, Ph.D.

Richard Chizmar, Lisa Tuttle, Norman Prentiss, Kevin Quigley, and Peter Straub unmask monsters hiding in plain sight in an anthology of heart-pounding short fiction assembled by horror author and editor Brian James Freeman. DEVIL’S NIGHT by Richard Chizmar You’ve read about what happened that night. What you don’t know is the true extent of the damage. The papers got it wrong—and the truth is so much worse than you thought. THE LAST DARE by Lisa Tuttle Elaine hasn’t been back to her hometown in years. The house she lived in is gone. The tower house isn’t—nor are the stories of the fate that befalls whoever dares to go there. THE HALLOWEEN BLEED by Norman Prentiss People think there’s some sort of mystical power that allows enchantments and witchcraft to come to life on Halloween night. But real magic obeys no calendar—and true evil strikes whenever it’s least expected. SWING by Kevin Quigley In Hollywood, everyone lives forever. At least that’s what I used to think . . . before Jessica. But no one seems to live long when they’re around me. PORK PIE HAT by Peter Straub When it comes to jazz, there are players, and there are legends. “Hat” was a legend. His real name didn’t even matter. Still, he had his secrets—secrets best left buried in the past. Praise for Halloween Carnival Volume 5 “This miniature cavalcade of spine-tingling and thought-provoking horrors lives up to its name and is the perfect Halloween treat.”—Publishers Weekly (starred review)

Seized by Uncertainty

The Markets, Media, and Special Interests That Shaped Canada’s Response to COVID-19

Kevin Quigley, Kaitlynne Lowe, Sarah Moore, Brianna Wolfe

The COVID-19 virus was responsible for the deaths of over thirty-five thousand Canadians in its first two years alone. Described as the biggest public health crisis of the century, it was an uncertain threat, which emerged within complex psychological, social, legal, administrative, and economic contexts. Seized by Uncertainty explains how Canadian governments responded to that threat. Despite early warning signs, governments failed to appreciate the trade-offs required to respond to the pandemic. Their approach, at times intolerant of debate and ignorant of diversity, served the interests of some over others. Their response prioritized stability and containment, enabling four in ten people to work from home, disproportionately benefiting an educated middle class who profited further from soaring stock markets and housing prices. Mental health issues spiked, racialized people were much more likely to test positive for the virus, those in low-income sectors experienced unstable employment and lacked workplace safety protections, the lives of low-risk youth were in constant suspension, and residents of some care homes were virtually abandoned. Seized by Uncertainty studies the pandemic response through the contexts in which it emerged, exposing uncomfortable truths about a fragmented society and governance problems that predated the threat.

The Legend of Sleepy Hollow

Washington Irving

When he entered the house, the conquest of his heart was complete. It was one of those spacious farmhouses, with highridged but lowly sloping roofs, built in the style handed down from the first Dutch settlers; the low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighboring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wondering Ichabod entered the hall, which formed the centre of the mansion, and the place of usual residence. Here rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool, ready to be spun; in another, a quantity of linsey-woolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar gave him a peep into the best parlor, where the claw-footed chairs and dark mahogany tables shone like mirrors; andirons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock oranges and conch shells decorated the mantelpiece; strings of various-colored birds eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.

The Iliad

Homer Circa

The old man feared him and obeyed. Not a word he spoke, but went by the shore of the sounding sea and prayed apart to King Apollo whom lovely Leto had borne. ‘Hear me,’ he cried, ‘O god of the silver bow, that protectest Chryse and holy Cilla and rulest Tenedos with thy might, hear me oh thou of Sminthe. If I have ever decked your temple with garlands, or burned your thigh-bones in fat of bulls or goats, grant my prayer, and let your arrows avenge these my tears upon the Danaans.’ Thus did he pray, and Apollo heard his prayer. He came down furious from the summits of Olympus, with his bow and his quiver upon his shoulder, and the arrows rattled on his back with the rage that trembled within him. He sat himself down away from the ships with a face as dark as night, and his silver bow rang death as he shot his arrow in the midst of them. First he smote their mules and their hounds, but presently he aimed his shafts at the people themselves, and all day long the pyres of the dead were burning. For nine whole days he shot his arrows among the people, but upon the tenth day Achilles called them in assembly—moved thereto by Juno, who saw the Achaeans in their death-throes and had compassion upon them. Then, when they were got together, he rose and spoke among them.

Huck Finn

Olivia Vieweg, Mark Twain

L’adaptation moderne d’un classique de la littérature américaine À Halle-sur-Saale en Allemagne, Huck Finn mène une vie sauvage avec ses copains. Mais la nuit, il rentre régulièrement chez sa mère adoptive, une veuve qui s’occupe bien de lui et essaie malgré tout de le « civiliser. » Mais Finn, épris de liberté, a d’autres objectifs : il est clair qu'il ne va pas rester encore très longtemps ici... Tout le monde connait Les Aventures de Huckleberry Finn, chef d'œuvre de la littérature américaine. Olivia Vieweg, l'une des stars montantes de la bande dessinée allemande, nous propose une adaptation contemporaine du grand classique de Mark Twain, en le transposant dans l’Allemagne d’aujourd’hui. Un roman graphique frais, sauvage et surprenant.

The Strange Case of Dr Jekyll and Mr Hyde

Robert Louis Stevenson

MR. UTTERSON the lawyer was a man of a rugged countenance, that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary, and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years. But he had an approved tolerance for others; sometimes wondering, almost with envy, at the high pressure of spirits involved in their misdeeds; and in any extremity inclined to help rather than to reprove. ‘I incline to, Cain’s heresy,’ he used to say. ‘I let my brother go to the devil in his quaintly: ‘own way.’ In this character, it was frequently his fortune to be the last reputable acquaintance and the last good influence in the lives of down-going men. And to such as these, so long as they came about his chambers, he never marked a shade of change in his demeanour.

The Adventures of Tom Sawyer

Mark Twain

The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked THROUGH them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for ‘style,’ not service — she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: ‘Well, I lay if I get hold of you I’ll —‘ She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. ‘I never did see the beat of that boy!’ She went to the open door and stood in it and looked out among the tomato vines and ‘jimpson’ weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for distance and shouted: ‘Y-o-u-u TOM!’ There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight.

The Hound of the Baskervilles

Arthur Conan Doyle

No, no, my dear Watson, not all—by no means all. I would suggest, for example, that a presentation to a doctor is more likely to come from a hospital than from a hunt, and that when the initials ‘C.C.’ are placed before that hospital the words ‘Charing Cross’ very naturally suggest themselves.’ ‘You may be right.’ ‘The probability lies in that direction. And if we take this as a working hypothesis we have a fresh basis from which to start our construction of this unknown visitor.’ ‘Well, then, supposing that ‘C.C.H.’ does stand for ‘Charing Cross Hospital,’ what further inferences may we draw?’ ‘Do none suggest themselves? You know my methods. Apply them!’ ‘I can only think of the obvious conclusion that the man has practised in town before going to the country.’ ‘I think that we might venture a little farther than this. Look at it in this light. On what occasion would it be most probable that such a presentation would be made? When would his friends unite to give him a pledge of their good will? Obviously at the moment when Dr. Mortimer withdrew from the service of the hospital in order to start in practice for himself. We know there has been a presentation. We believe there has been a change from a town hospital to a country practice. Is it, then, stretching our inference too far to say that the presentation was on the occasion of the change?’

Secret Comics Japan

Underground Comics Now

Chikao Shiratori

From the surreally beautiful to the graphically gruesome, the selections in this anthology represent the best of manga fiction. Chosen by the former editor of Garo, Japan's standard-bearer of underground comics, the artists in this collection are the latest generation of manga taboo-breakers from the '80s and '90s.

Manga: The Complete Guide

Jason Thompson

• Reviews of more than 900 manga series • Ratings from 0 to 4 stars • Guidelines for age-appropriateness • Number of series volumes • Background info on series and artists THE ONE-STOP RESOURCE FOR CHOOSING BETWEEN THE BEST AND THE REST! Whether you’re new to the world of manga-style graphic novels or a longtime reader on the lookout for the next hot series, here’s a comprehensive guide to the wide, wonderful world of Japanese comics! • Incisive, full-length reviews of stories and artwork • Titles rated from zero to four stars–skip the clunkers, but don’t miss the hidden gems • Guidelines for age-appropriateness–from strictly mature to kid-friendly • Profiles of the biggest names in manga, including CLAMP, Osamu Tezuka, Rumiko Takahashi, and many others • The facts on the many kinds of manga–know your shôjo from your shônen • An overview of the manga industry and its history • A detailed bibliography and a glossary of manga terms LOOK NO FURTHER, YOU’VE FOUND YOUR IDEAL MANGA COMPANION!

The Dragon and the Dazzle

Models, Strategies, and Identities of Japanese Imagination : a European Perspective

Marco Pellitteri, Jean-Marie Bouissou, Gianluca Di Fratta, Cristiano Martorella, Bounthavy Suvilay

"In the worldwide circulation of the products of cultural industries, an important role is played by Japanese popular culture in European contexts. Marco Pellitteri shows that the contact between Japanese pop culture and European youth publics occurred during two phases. By use of metaphor, the author calls them the Dragon and the Dazzle. The first took place between 1975 and 1995, the second from 1996 to today. They can be distinguished by the modalities of circulation and consumption/re-elaboration of Japanese themes and products in the most receptive countries: Italy, France, Spain, Germany and, across the ocean, the United States. During these two phases, several themes have been perceived, in Europe, as rising from Japan's social and mediatic systems. Among them, this book examines the most apparent from a European point of view: the author names them machine, infant, and mutation, visible mostly through manga, anime, videogames, and toys. Together with France, Italy is the European country that in this respect has had the most central role. There, Japanese imagination has been acknowledged not only by young people, but also by politicians, television programmers, the general public, educators, comics and cartoons authors. The growing influence of Japanese pop culture, connected to the appreciation of its manga, anime, toys, and videogames, also urges political and mediologic questions linked to the identity/ies of Japan as they are understood--wrongly or rightly--in Europe and the West, and to the increasingly important role of Japan in international relations."--Back cover

A Brief History of Manga

Helen McCarthy

Manga is more than a genre in the comics field: it is a vital creative medium in its own right, with hundreds of millions of readers worldwide, a host of graphic styles, and a rich history now spanning seven decades. Now for the first time, that history is told by an award-winning expert in the field. Covering topics from Akira to Mazinger Z, this book is fully illustrated throughout, and photos of key creators accompany accessible sidebars and timelines. Answering the key questions of any fan where did my favourite manga come from, and what should I read next? this book will open doors to neophytes and experts alike.

Samurai from Outer Space

Understanding Japanese Animation

Antonia Levi

Why are Westerners of all ages now so fascinated by Japanese animated films, movies made purely by Japanese animators for Japanese audiences? The U.S. audience for Japanese animation ranges from millions who don't even know that what they're watching is Japanese, to the growing anime cult, with anime fan clubs on almost every college campus, as well as anime fan magazines and social anime sections in video stores. In Samurai from Outer Space, Antonia Levi uncovers the hidden meaning of Japanese animation: the symbols and stories drawn from Shinto, Buddhism, and Japanese art - the things that Western viewers will overlook unless they are pointed out. With 20 color illustrations, Samurai from Outer Space is both an introduction for beginners and a goldmine of information for the already addicted.

The East

Unknown author

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