The Headless Republic

History and Its Limits

Human, Animal, Violence

Dominick LaCapra

Dominick LaCapra's History and Its Limits articulates the relations among intellectual history, cultural history, and critical theory, examining the recent rise of "Practice Theory" and probing the limitations of prevalent forms of humanism. LaCapra focuses on the problem of understanding extreme cases, specifically events and experiences involving violence and victimization. He asks how historians treat and are simultaneously implicated in the traumatic processes they attempt to represent. In addressing these questions, he also investigates violence's impact on various types of writing and establishes a distinctive role for critical theory in the face of an insufficiently discriminating aesthetic of the sublime (often unreflectively amalgamated with the uncanny). In History and Its Limits, LaCapra inquires into the related phenomenon of a turn to the "postsecular," even the messianic or the miraculous, in recent theoretical discussions of extreme events by such prominent figures as Giorgio Agamben, Eric L. Santner, and Slavoj Zizek. In a related vein, he discusses Martin Heidegger's evocative, if not enchanting, understanding of "The Origin of the Work of Art." LaCapra subjects to critical scrutiny the sometimes internally divided way in which violence has been valorized in sacrificial, regenerative, or redemptive terms by a series of important modern intellectuals on both the far right and the far left, including Georges Sorel, the early Walter Benjamin, Georges Bataille, Frantz Fanon, and Ernst Jünger. Violence and victimization are prominent in the relation between the human and the animal. LaCapra questions prevalent anthropocentrism (evident even in theorists of the "posthuman") and the long-standing quest for a decisive criterion separating or dividing the human from the animal. LaCapra regards this attempt to fix the difference as misguided and potentially dangerous because it renders insufficiently problematic the manner in which humans treat other animals and interact with the environment. In raising the issue of desirable transformations in modernity, History and Its Limits examines the legitimacy of normative limits necessary for life in common and explores the disconcerting role of transgressive initiatives beyond limits (including limits blocking the recognition that humans are themselves animals).

The Modernist Imagination

Intellectual History and Critical Theory

Warren Breckman, Peter E. Gordon, A. Dirk Moses, Samuel Moyn

Some of the most exciting and innovative work in the humanities currently takes place at the intersection of intellectual history and critical theory. Just as critical theorists are becoming more aware of the historicity of theory, contemporary practitioners of modern intellectual history are recognizing their potential contributions to theoretical discourse. No one has done more than Martin Jay to realize the possibilities for mutual enrichment between intellectual history and critical theory. This carefully selected collection of essays addresses central questions and current practices of intellectual history and asks how the legacy of critical theory has influenced scholarship across a wide range of scholarly disciplines. In honor of Martin Jay's unparalleled achievements, this volume includes work from some of the most prominent contemporary scholars in the humanities and social sciences.

Die Kunst der Einfalt

Märtyrer und Legenden im bürgerlichen Zeitalter der Literatur

Nicolas Detering

Kaum etwas hat die Aufklärung so spöttisch bekämpft wie den christlichen Märtyrerkult und die mittelalterliche Heiligenlegende. Trotzdem verschwinden Figur und Gattung in der Moderne nicht, sondern kehren auf Umwegen in die Literatur zurück. Sie inspirieren eine Kunst der heiligen Einfalt, von der die bürgerliche Gesellschaft sich in ihrem literarischen, geschichtspolitischen, konfessionellen und sexuellen Selbstverständnis provozieren lässt. Das Buch von Nicolas Detering erzählt die Geschichte einer Wiederentdeckung – und berichtet von den Konflikten und Sehnsüchten, die sie im 19. Jahrhundert schürt und weckt.

Neo-Authoritarian Masculinity in Brazilian Crime Film

Jeremy Lehnen

Analyzing how masculinity is portrayed in Brazilian crime film, connecting movie messages to twenty-first-century issues An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues. Jeremy Lehnen argues that these films promote an agenda in support of the nation’s recent swing toward authoritarianism that culminated in the 2018 election of far-right president Jair Bolsonaro. Lehnen examines the integral role of masculinity in several archetypal crime films, most of which foreground urban violence, including Cidade de Deus, Quase Dois Irmãos, Tropa de Elite, O Homem do Ano, and O Doutrinador. Within these films, Lehnen finds representations that criminalize the poor, marginalized male; emasculate the civilian middle-class male intellectual, casting him as unable to respond to crime; and portray state security as the only power able to stem increasing crime rates. Drawing on insights from masculinity studies, Lehnen contends that Brazilian crime films are ideologically charged mediums that assert and normalize the presence of the neo-authoritarian male within society. This book demonstrates how gendered scripts can become widely accepted by audiences and contribute to very real power structures beyond the sphere of cinema. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Worldly Shakespeare

The Theatre of Our Good Will

Richard Wilson

In Worldly Shakespeare Richard Wilson proposes that the universalism proclaimed in the name of Shakespeare's playhouse was tempered by his own worldliness, the performative idea that runs through his plays, that if 'All the world's a stage', then 'all the men and women in it' are 'merely players'. Situating this playacting in the context of current concerns about the difference between globalization and mondialisation, the book considers how this drama offers itself as a model for a planet governed not according to universal toleration, but the right to offend: 'But with good will'. For when he asks us to think we 'have but slumbered' throughout his offensive plays, Wilson suggests, Shakespeare is presenting a drama without catharsis, which anticipates post-structuralist thinkers like Jacques Rancire and Slavoj A iA ek, who insist the essence of democracy is dissent, and 'the presence of two worlds in one'. Living out his scenario of the guest who destroys the host, by welcoming the religious terrorist, paranoid queen, veiled woman, papist diehard, or puritan fundamentalist into his play-world, Worldly Shakespeare concludes, the dramatist instead provides a pretext for our globalized communities in a time of Facebook and fatwa, as we also come to depend on the right to offend 'with our good will'.

Ingenious Citizenship

Recrafting Democracy for Social Change

Charles T. Lee

In Ingenious Citizenship Charles T. Lee centers the daily experiences and actions of migrant domestic workers, sex workers, transgender people, and suicide bombers in his rethinking of mainstream models of social change. Bridging cultural and political theory with analyses of film, literature, and ethnographic sources, Lee shows how these abject populations find ingenious and improvisational ways to disrupt and appropriate practices of liberal citizenship. When voting and other forms of civic engagement are unavailable or ineffective, the subversive acts of a domestic worker breaking a dish or a prostitute using the strategies and language of an entrepreneur challenge the accepted norms of political action. Taken to the extreme, a young Palestinian woman blowing herself up in a Jerusalem supermarket questions two of liberal citizenship's most cherished values: life and liberty. Using these examples to critically reinterpret political agency, citizenship practices, and social transformation, Lee reveals the limits of organizing change around a human rights discourse. Moreover, his subjects offer crucial lessons in how to turn even the worst conditions and the most unstable positions in society into footholds for transformative and democratic agency.