Herbert Marcuse and the Crisis of Marxism

Douglas Kellner

Critical overview of the entirety of Marcuse's work and discusses his enduring importance. Kellner had extensive interviews with Marcuse and provides hitherto unknown information about his road to Marxism, his relations with Heidegger and Existentialism, his involvement with the Frankfurt School, and his reasons for appropriating Freud in the 1950s. In addition Kellner provides a novel interpretation of the genesis and structure of Marcuse's theory of one-dimensional society, of the development of his political theory, and of the role of aesthetics in his critical theory.

Media Spectacle and the Crisis of Democracy

Terrorism, War, and Election Battles

Douglas Kellner

Douglas Kellner's Media Spectacle and the Crisis of Democracy: 9/11, the War on Iraq, and Election 2004 investigates the role of the media in the momentous political events of the past four years. Beginning with the role of the media in contested election of 2000, Kellner examines how corporate media ownership and concentration, linked with a rightward shift of establishment media, have disadvantaged the Democrats and benefited George W. Bush and the Republicans. Exploring the role of media spectacle in the 9/11 attacks and subsequent Terror War in Afghanistan and Iraq, Kellner documents the centrality of media politics in advancing foreign policy agendas and militarism. Building on his analysis in Media Spectacle (Routledge 2003), Kellner demonstrates in detail how conflicting political forces ranging from Al Qaeda to the Bush administration construct media spectacles to advance their politics. Two chapters critically engage the role of the media in the buildup to the Iraq war and the media-centric nature of Bush's Iraq invasion and occupation. Final chapters delineate the role of the media in the highly contested and significant 2004 election campaign that many believe to be one of the key political struggles of the contemporary era. Criticizing Bush's unilateralism, Kellner argues for a multilateral and cosmopolitan globalization and the need for democratic media to help overcome the current crisis of democracy in the United States.

Cultural Studies, Education, and Youth

Beyond Schools

Benjamin Frymer, John Broughton, Matthew Carlin

Cultural Studies, Education, and Youth: Beyond Schools, edited by Benjamin Frymer, Matthew Carlin, and John Broughton, brings interdisciplinary lenses to the study of education beyond the classroom in order to critically attend to the increased influence of media and popular culture in the education and lives of youth. The chapters collectively advocate the importance of exploring the multiple cultural contexts where education occurs. Cultural Studies, Education, and Youth raises significant questions and offers important insights for teachers, youth, scholars, and practitioners, alike.

The Postmodern Adventure

Science Technology and Cultural Studies at the Third Millennium

Steven Best, Douglas Kellner

This compelling book explores the challenges to theory, politics, and human identity that we face on the threshold of the third millennium. It follows on the successor of Best and Kellner's two previous books, Postmodern Theory, acclaimed as the best critical introduction to the field - and The Postmodern Turn, which provides a powerful mapping of postmodern developments developments in the arts, politics, science, and theory. In The Postmodern Adventure, Best and Kellner analyze a broad array of literary, cultural, and political phenomena from fiction, film, science, and the Internet, to globalization and the rise of a transnational image culture.

The Persian Gulf TV War

Douglas Kellner

Douglas Kellner's Persian Gulf TV War attacks the myths, disinformation, and propaganda disseminated during the Gulf war. At once a work of social theory, media criticism, and political history, this book demonstrates how television served as a conduit for George Bush's war policies while silencing anti-war voices and foregoing spirited discussion of the complex issues involved. In so doing, the medium failed to assume its democratic responsibilities of adequately informing the American public and debating issues of common concern. Kellner analyzes the dominant frames through which television presented the war and focuses on the propaganda that sold the war to the public–one of the great media spectacles and public relations campaigns of the post-World War II era. In the spirit of Orwell and Marcuse, Kellner studies the language surrounding the Gulf war and the cynical politics of distortion and disinformation that shaped the mainstream media version of the war, how the Bush administration and Pentagon manipulated the media, and why a majority of the American public accepted the war as just and moral.

From 9/11 to Terror War

The Dangers of the Bush Legacy

Douglas Kellner

The book shows how September 11 provided an opportunity for the Bush administration to push through hard-right domestic and foreign policies, many of which were being contested and blocked in Congress pre-September 11. Visit our website for sample chapters!

International interdisciplinary conference “Sketch a subculture”

Jerome Krase, Oleg Maltsev, Douglas Kellner, Steve Gennaro, Elizabeth Haas-Edersheim, Massimo Introvigne, Liudmyla Fylypovych, Frederick Lawrence, Matthew Worley, Lucien Oulahbib, Marco Andreacchio, Nick Ienatsch, Simon McGregor-Wood, Mikhail Minakov, Bernardo Attias, Gavin Watson, Derek Ridgers, Paul Hockenos, Athina Karatzogianni, Paul Rhoads, Ross Haenfler, Phil Cohen, Maxim Lepskiy, Iryna Lopatiuk, Avi Nardia, Sanjay Soekhoe, Marco Trovato, Federico Roso, Costantino Slobodyanyuk, Vitalii Lunov, Igor Kaprysin, Vladimir Skvorets, Maria Kulyk, Aimar Ventsel, Eduard Boyko

Collected Papers of the International interdisciplinary conference “Sketch a subculture” Subcultures can be so tightly integrated into the contemporary person's daily life that they have become almost indispensable and ubiquitous. Family, job, agreements, responsibilities and negotiations are one thing, but, let us say, skydiving, or riding a bike in the company of motorcycle enthusiasts is a different thing—no less an important part of one's life. The current state of affairs is that almost everyone on this planet belongs to some subculture in one way or another. This another, natural part of one's lifestyle for pleasure is not always considered a "subculture," but the heart of the matter does not change because of this. To the point, a person might be a part of more than one subculture, and at the same time know nothing about what it may lead to; they may know nothing about the possible scenarios, goals and intentions of this environment. Even the most attractive and "mysteriously" formulated idea (for example, attaining Nirvana) remains something inconceivable, for what is "Nirvana," and how to understand that this state has been achieved is unknown. The idea has no explanations, no criteria and no parameters. And yet, this does not stop people from pursuing ideas as such. Many voluntarily strive for something they know practically nothing about. Why are subcultures so attractive? Why have they become magnets to researchers, professionals and business persons, among all others? These and many other questions require innovative approaches and an unbiased dialogue in an understandable scientific language. The International interdisciplinary conference “Sketch a subculture” united leading experts, scientists, researchers, practitioners, journalists, photographers and thinkers for this discussion on 6 different online panels, where the following questions were discussed: 1. Problems of choosing a research path in studying a subculture. 2. Plan of researching a subculture: from the idea to the completion of the research, from mythological and religious to scientific and philosophical worldviews. 3. From mythologemes to ideas as foundational elements of subculture formation. Approaches for researching mythologemes that underlie the philosophy of a subculture. 4. Approaches for studying the hierarchy of subcultures. Can we claim that the hierarchical structure of all subcultures is identical? 5. Ways to explore the attributes and symbols of subcultures. 6. The phenomenon of “Subculture in Subculture” and characteristics of its study. The synthesis of ideas in the subculture, reasons for the existence of subcultures, invisible internal mechanisms that maintain their continuance. 7. Frederick Lawrence’s drawing as the purpose of subculture research. 8. Can we consider a subculture as a machine that shapes a personality? The idea of death and different ways of implementing this idea by subcultures in daily life. 9. Frederick Lawrence’s drawing, the theory of subculture formation, application of prototype method to understand phenomena. 10. Is it true that one idea forms a whole subculture? The pathway in subculture: fatal and successful. 11. The difference between subculture and religion. What are specific elements that shape each institution? 12. Use of religion by other social institutions (business, politics, etc.) for their own purposes. Religion transformation: from divine transcendence to the universal society based on techno-ideological principles.

Planetary Politics

Human Rights, Terror, and Global Society

Stephen Eric Bronner

Global society has been analyzed in any number of ways: books dealing with its economic and cultural implications flood the market. But Planetary Politics highlights something unique. It explores globalization with an eye on the transformation of politics into a planetary enterprise. Bringing together the work of major scholars with national and international reputations, this exciting new work offers perspectives for dealing with the complexity of power in the planetary life of the new millennium.

Media Spectacle

Douglas Kellner

Through analysis of several media spectacles - including the O.J. Simpson trial, Elvis, the X-Files and the Clinton sex scandals - Kellner draws insights into media, journalism, the public sphere and politics in an era of new technologies.

Critical Theory, Marxism, and Modernity

Douglas Kellner

Kellner writes, "As we move into the 1990s critical theory might help produce theoretical and political perspectives which could be part of a Left Turn that could reanimate the political hopes of the 1960s, while helping overcome and reverse the losses and regression of the 1980s."

Media Culture

Cultural Studies, Identity and Politics between the Modern and the Post-modern

Douglas Kellner

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Cinema Wars

Hollywood Film and Politics in the Bush-Cheney Era

Douglas M. Kellner

Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama

Guys and Guns Amok

Domestic Terrorism and School Shootings from the Oklahoma City Bombing to the Virginia Tech Massacre

Douglas Kellner

From the recent shootings at Virginia Tech University to the tragedies at Columbine and Oklahoma City, certain common traits can be traced through all of these events. In Guys and Guns Amok, media and cultural critic Douglas Kellner provides a fascinating diagnostic reading of these acts of domestic terrorism. Skillfully connecting each case with the current environment for male socialization and the search for identity in an American culture obsessed with guns and militarism, Kellner's work is a sobering reflection on these tragedies and the pervasive power of media and popular culture as well as a wake-up call for the future.

Postmodern Theory

Critical Interrogations

Steven Best, Douglas Kellner

An introduction to and critique of the latest trends in critical theory.

9/11 in American Culture

Norman K. Denzin, Yvonna S. Lincoln

In response to the events following September 11, a number of leading cultural studies and interpretive qualitative researchers write from their own experiences and hearts. Their essays-by noted scholars Kellner, Fine, McLaren, Richardson, Denzin, Giroux and others-are collected in this volume, and were written in crisis within days and weeks of September 11. The immediacy of their writing is refreshing, and reflects the varied emotional and critical responses that bring meaning to this cataclysmal event. From the poetic to the personal, the theoretical to the historical, these contributions represent intelligent and reflective responses to crises like 9/11. This unique collection of essays represents a selfless act of sharing by poets and professors who tell us how they made sense of these tragic events, and predicts what the place of the humanities and the social sciences might hold in an age of terror. Lachrymal and elegiac, their words will stay with us for years to come. The articles were originally published in the journals Qualitative Inquiry and Cultural Studies/Critical Methodologies.

Articulating The Global And The Local

Globalization And Cultural Studies

Ann Cvetkovich

This book explores how discourses of the local, the particular, the everyday, and the situated are being transformed by new discourses of globalization and transnationalism, as used both by government and business and in critical academic discourse. Unlike other studies that have focused on the politics and economics of globalization, Articulating the Global and the Local highlights the importance of culture and provides models for a cultural studies that addresses globalization and the dialectic of local and global forces. Arguing for the inseparability of global and local analysis, the book demonstrates how global forces enter into local situations and how in turn global relations are articulated through local events, identities, and cultures; it includes studies of a wide range of cultural forms including sports, poetry, pedagogy, ecology, dance, cities, and democracy. Articulating the Global and the Local makes the ambitious claim that the category of the local transforms the debate about globalization by redefining what counts as global culture. Central to the essays are the new global and translocal cultures and identities created by the diasporic processes of colonialism and decolonization. The essays explore a variety of local, national, and transnational contexts with particular attention to race, ethnicity, gender, and sexuality as categories that force us to rethink globalization itself.

Camera Politica

The Politics and Ideology of Contemporary Hollywood Film

Michael Ryan, Douglas Kellner

" a modern mythography, a study of contemporary Hollywood films based on the tools offered by feminism, psychoanalysis, Marxist cultural theory, and deconstruction." -- Village Voice "Solidly thought-out observation of the films of the 70's and 80's that comment on the system." -- Audience ..". intelligent, open advocacy. Its responsible arrangement of carefully described cultural materials will challenge students and instructors alike." -- Teaching Philosophy Camera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history, a period that witnessed the end of the American empire, crises in the economy, a failure of political leadership, loss at war, and the rise of the Right.

Ernesto "Che" Guevara

Douglas Kellner

Dissects the aftermath of the war in Southeast Asia, the refugee problem, the Vietnam/Cambodia conflict and the Pol Pot regime.

Grand Theft 2000

Media Spectacle and a Stolen Election

Douglas Kellner

The battle for the White House following the election of November 7, 2000, was one of the major media spectacles in American history. From the uncertainty of election night to Al Gore's concession to George W. Bush's acceptance of the mantle of president-elect, Douglas Kellner demonstrates why the media was culpable in the theft of the presidency, ultimately bringing to power one of the most right wing administrations in American history. By applying critical social theory, cultural studies, and media criticism to buttress his arguments, Kellner concludes that Election 2000 reveals a crisis in contemporary American democracy. A final chapter critically dissects the first 100 days of the Bush presidency, which is emerging as one of the most reactionary in history.

The Postmodern Turn

Steven Best, Douglas Kellner

This book presents a groundbreaking analysis of the emergence of a pos tmodern paradigm in theory, the arts, science, and politics. From the authors of Postmodern Theory, the much-acclaimed introduction to key p ostmodern thinkers and themes, The Postmodern Turn ranges over diverse intellectual and artistic terrain--from architecture, painting, liter ature, music, and politics, to the physical and biological sciences. C ritically engaging postmodern theory and culture, Steven Best and Doug las Kellner illuminate our momentous transition between a modernist pa st and a future struggling to define itself.