Black Greek 101

The Culture, Customs, and Challenges of Black Fraternities and Sororities

Walter M. Kimbrough

When members of Black fraternal organizations and non-members alike finish Black Greek 101, they will have a foundation for understanding some of the most interesting organizations that have influenced not only campus culture, but American culture as a whole."--Jacket.

A Voice from the South

By a Black Woman of the South

Anna J. Cooper

Published in 1892, A Voice from the South is the only book published by one of the most prominent African American women scholars and educators of her era. Born a slave, Anna Julia Haywood Cooper would go on to become the fourth African American woman to earn a doctoral degree. Cooper became a prominent member of the black community in Washington, D.C., serving as principal at M Street High School, during which time she wrote A Voice from the South. In it, she engages a variety of issues, including women’s rights, racial progress, segregation, and the education of black women. Cooper also discusses a number of authors and their representations of African Americans, including Harriet Beecher Stowe, Albion Tourgée, George Washington Cable, William Dean Howells, and Maurice Thompson, reaching the conclusion that an accurate depiction had yet to be written. A DOCSOUTH BOOK. This collaboration between UNC Press and the University of North Carolina at Chapel Hill Library brings classic works from the digital library of Documenting the American South back into print. DocSouth Books uses the latest digital technologies to make these works available in paperback and e-book formats. Each book contains a short summary and is otherwise unaltered from the original publication. DocSouth Books provide affordable and easily accessible editions to a new generation of scholars, students, and general readers.

Development Arrested

The Blues and Plantation Power in the Mississippi Delta

Clyde Adrian Woods

Development Arrested is a major reinterpretation of the two-centuries-old conflict between African American workers and the planters of the Mississippi Delta. Ranging across disciplines as diverse as rural studies, musicology, development studies and anthropology, it provides a unique assessment of the impact of the plantation system on those who suffered its depredations at first hand.

Dreams of Africa in Alabama

The Slave Ship Clotilda and the Story of the Last Africans Brought to America

Sylviane Anna Diouf

In the summer of 1860, more than fifty years after the United States legally abolished the international slave trade, 110 men, women, and children from Benin and Nigeria were brought ashore in Alabama under cover of night. They were the last recorded group of Africans deported to the United States as slaves. Timothy Meaher, an established Mobile businessman, sent the slave ship, the Clotilda , to Africa, on a bet that he could "bring a shipful of niggers right into Mobile Bay under the officers' noses." He won the bet.This book reconstructs the lives of the people in West Africa, recounts their capture and passage in the slave pen in Ouidah, and describes their experience of slavery alongside American-born enslaved men and women. After emancipation, the group reunited from various plantations, bought land, and founded their own settlement, known as African Town. They ruled it according to customary African laws, spoke their own regional language and, when giving interviews, insisted that writers use their African names so that their families would know that they were still alive.The last survivor of the Clotilda died in 1935, but African Town is still home to a community of Clotilda descendants. The publication of Dreams of Africa in Alabama marks the 200th anniversary of the abolition of the transatlantic slave trade.Winner of the Wesley-Logan Prize of the American Historical Association (2007)

To ’Joy My Freedom

Southern Black Women’s Lives and Labors After the Civil War

Tera W. Hunter

As the Civil War drew to a close, newly emancipated black women workers made their way to Atlanta—the economic hub of the newly emerging urban and industrial south—in order to build an independent and free life on the rubble of their enslaved past. In an original and dramatic work of scholarship, Tera Hunter traces their lives in the postbellum era and reveals the centrality of their labors to the African-American struggle for freedom and justice. Household laborers and washerwomen were constrained by their employers’ domestic worlds but constructed their own world of work, play, negotiation, resistance, and community organization. Hunter follows African-American working women from their newfound optimism and hope at the end of the Civil War to their struggles as free domestic laborers in the homes of their former masters. We witness their drive as they build neighborhoods and networks and their energy as they enjoy leisure hours in dance halls and clubs. We learn of their militance and the way they resisted efforts to keep them economically depressed and medically victimized. Finally, we understand the despair and defeat provoked by Jim Crow laws and segregation and how they spurred large numbers of black laboring women to migrate north. Hunter weaves a rich and diverse tapestry of the culture and experience of black women workers in the post–Civil War south. Through anecdote and data, analysis and interpretation, she manages to penetrate African-American life and labor and to reveal the centrality of women at the inception—and at the heart—of the new south.

The 1619 Project

A New Origin Story

Nikole Hannah-Jones, The New York Times Magazine

#1 NEW YORK TIMES BESTSELLER • NAACP IMAGE AWARD WINNER • A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present. “[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling.”—Esquire NOW AN EMMY-WINNING HULU ORIGINAL DOCUSERIES • A KIRKUS REVIEWS BEST NONFICTION BOOK OF THE CENTURY • AN OPRAH DAILY BEST NONFICTION BOOK OF THE PAST TWO DECADES • FINALIST FOR THE KIRKUS PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, Booklist In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty people stolen from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The New York Times Magazine’s award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. Featuring contributions from: Leslie Alexander • Michelle Alexander • Carol Anderson • Joshua Bennett • Reginald Dwayne Betts • Jamelle Bouie • Anthea Butler • Matthew Desmond • Rita Dove • Camille T. Dungy • Cornelius Eady • Eve L. Ewing • Nikky Finney • Vievee Francis • Yaa Gyasi • Forrest Hamer • Terrance Hayes • Kimberly Annece Henderson • Jeneen Interlandi • Honorée Fanonne Jeffers • Barry Jenkins • Tyehimba Jess • Martha S. Jones • Robert Jones, Jr. • A. Van Jordan • Ibram X. Kendi • Eddie Kendricks • Yusef Komunyakaa • Kevin M. Kruse • Kiese Laymon • Trymaine Lee • Jasmine Mans • Terry McMillan • Tiya Miles • Wesley Morris • Khalil Gibran Muhammad • Lynn Nottage • ZZ Packer • Gregory Pardlo • Darryl Pinckney • Claudia Rankine • Jason Reynolds • Dorothy Roberts • Sonia Sanchez • Tim Seibles • Evie Shockley • Clint Smith • Danez Smith • Patricia Smith • Tracy K. Smith • Bryan Stevenson • Nafissa Thompson-Spires • Natasha Trethewey • Linda Villarosa • Jesmyn Ward

Black Southerners, 1619-1869

John B. Boles

" This interpretation of the black experience in the South revealing emphasizes the evolution of slavery over time and the emergence of a rich, hybrid African American culture. From the incisive discussion on the origins of slavery in the Chesapeake colonies, John Boles embarks on an interpretation of a vast body of demographic, anthropological, and comparative scholarship to explore the character of black bondage in the American South. On such diverse issues as black population growth, the strength of the slave family, the efficiency and profitability of slavery, the diet and health care of bondsmen, the maturation of slave culture, the varieties of slave resistance, and the participation of blacks in the Civil War, Black Southerners provides a balanced and judicious treatment.

Black San Francisco

The Struggle for Racial Equality in the West, 1900-1954

Albert S. Broussard

This work explores race relations in the city of San Francisco, where whites, for the most part, were outwardly civil to blacks, while denying them employment opportunities and political power. The author argues that it is essential to understand the nature of the racial caste system.

American Negro Slave Revolts

Herbert Aptheker

A pioneering work that demolished the widespread claims that African Americans accepted slavery and were passive. Exposed the true nature of slavery.

A Change Is Gonna Come

Music, Race & the Soul of America

Craig Werner

The new edition of the groundbreaking chronicle of forty years of black music in America

Silencing the Past

Power and the Production of History

Michel-Rolph Trouillot

In this provocative analysis of historical narrative, Michel-Rolph Trouillot demonstrates how power operates, often invisibly, at all stages in the making of history to silence certain voices. From the West's failure to acknowledge the Haitian Revolution, the most successful slave revolt in history, to the continued debate over denials of the Holocaust, and the meaning of Columbus's arrival in the Americas, Trouillot shows us that history is not simply the recording of facts and events, but a process of actively enforced silences, some unconscious, others quite deliberate.

The Black Family in Slavery and Freedom, 1750-1925

Herbert G. Gutman

An exhaustively researched history of black families in America from the days of slavery until just after the Civil War.

"Fire from the Midst of You"

A Religious Life of John Brown

Louis A. DeCaro

This biography offers fresh insight into the life and actions of this renowned figure in American history.

Afro-blue

Improvisations in African American Poetry and Culture

Tony Bolden

In Afro-Blue, Tony Bolden traces the ways innovations in black music and poetry have driven the evolution of a variety of other American vernacular artistic forms. The blues tradition, Bolden demonstrates, plays a key role in the relationship between poetry and vernacular expressive forms. Through an analysis of the formal qualities of black poetry and music, Afro-Blue shows that they function as a form of resistance, affirming the values and style of life that oppose bourgeois morality. Even before the term blues had cultural currency, the inscriptions of style and resistance embodied in the blues tradition were already a prominent feature of black poetics. Bolden delineates this interrelation, examining how poets extend and reshape a variety of other verbal folk forms in the same way as blues musicians play with other musical genres. He identifies three distinct bodies of blues poetics: some poets mimic and riff on oral forms, another group fuse their dedication to vernacular culture with a concern for literary conventions, while still others opt to embody the blues poetics by becoming blues musicians - and some combine elements of all three.

Hate Crime

The Story of a Dragging in Jasper, Texas

Joyce King

Describes the brutal 1998 death of James Byrd, Jr., a black man dragged to his death behind a pick-up truck driven by three young white men, discussing the men convicted of the crime and the racism that pervades American society.

Black Picket Fences

Privilege and Peril Among the Black Middle Class

Mary E. Pattillo

The author takes a stark and candid look at a section of America often ignored by both scholars and the media: the black middle class.

Black Skin, White Masks

Frantz Fanon

Fanon, born in Martinique and educated in France, is generally regarded as the leading anti-colonial thinker of the 20th century. His first book is an analysis of the impact of colonial subjugation on the black psyche. It is a very personal account of Fanon's experience being black: as a man, an intellectual, and a party to a French education.--Adapted from wikipedia.org.

Race Rebels

Culture, Politics, and the Black Working Class

Robin D. G. Kelley

Many black strategies of daily resistance have been obscured--until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.

Doing Time on the Outside

Incarceration and Family Life in Urban America

Donald Braman

Publisher Description

The Negro in the American Rebellion

His Heroism and His Fidelity

William Wells Brown

William Wells Brown's book is a military history of African Americans, assailing those whose hatred and ignorance inclined them to keep blacks oppressed. In his introduction John David Smith places it in context, and analyses its aims and its interpretation of black masculinity.